WEEK 3: True Grit – Charles Portis (1968)
The
novel True Grit, written by Charles Portis and published in 1968, as well as
its two film adaptations from 1969 and 2010 respectively, reflect, I believe, a
great deal more than just an old western. Apart from the story being a
meaningful one, going far beyond the usual western tropes, True Grit explores the
vengeance seeking Mattie Ross, and the bounty hunter Rooster Cogburn, whom she
hires to help her exact her revenge. The story delves deeply into the mythology
of the American landscape and worldview in several large ways. True, it
challenges the stereotypes and expectations of women, but beyond this, the
story also taps into the pulse of the eternal American mindset. The term “true
grit” implies tremendous resolve, determination, and perseverance in the face
of great adversity. While this film does take place in the “wild west”, the
story has been retold numerous times throughout American history, though with
characters wearing different faces, living in different times.
The founding of this country was
handled by men and women with true grit. With the oppression of the English
monarchy, the American colonies started a revolution, and broke away to eventually
win their freedom, and establish a new nation – despite the unnumbered odds
against them. Other historical heroes like Harriet Tubman and Martin Luther
King Jr. follow similar archetypal roles. But on the other hand, particularly
in this country where there is seeming epidemic for fame, status, and self-promotion,
we certainly also have our LaBoeufs – men and women who lack true grit but have
no qualms about riding the coattails of those who do for the sake of their own
gain and pride. This is a country of innovators and imitators – those who take
charge, and those who follow and seek opportunity at every turn. And so once
more, even though True Grit is on some level a classic western story or
revenge, it is also a story that speaks deeply to the American consciousness,
found within our nation’s own history
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